new jili slot 。

Clayton scores 34 as Ohio knocks off Portland 85-73

CONWAY, S.C. (AP) — AJ Clayton scored 34 points as Ohio beat Portland 85-73 on Friday. Clayton added 12 rebounds for the Bobcats (2-4). Aidan Hadaway scored 13 points while going 5 of 12 from the floor, including 1 for 6 from 3-point range, and 2 for 3 from the line and added eight rebounds. Victor Searls had 11 points and finished 5 of 8 from the field. The Pilots (2-4) were led by Vukasin Masic, who posted 17 points. Portland also got 13 points and seven rebounds from A.Rapp. Max Mackinnon also recorded 10 points and seven rebounds. Clayton scored 14 points in the first half to help Ohio up 46-30 at the break. Ohio pulled away with a 7-0 run in the second half to extend its lead to 19 points. Clayton led the way with a team-high 20 second-half points. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .Should I cash in some gains on WiseTech shares today?

NoneDisinformation, hate rampant on social media during 2024 elections: DRF report

AROUND the turn of the Millennium, U2 were ready for a reset. Since forming at school, the four likely lads from Dublin’s Northside had scaled dizzying heights to become the world’s biggest band. But Bono, The Edge, Adam Clayton and Larry Mullen Jr wanted to recapture the free-wheeling, rabble-rousing spirit of their early days. This process began with their tenth studio album, All That You Can’t Leave Behind, released in 2000 and best remembered for euphoric lead single Beautiful Day. For album No11, How To Dismantle An Atomic Bomb, they were looking to take things a stage further — to strip their music back and to rock out. “We were hitting our forties,” bassist Clayton says today, before adding with a knowing smile, “which is still a very vibrant, masculine moment! “As a band at the peak of its powers, playing well together, our aim was to go into a room and command that room with just a few primary colours.” To get in the mood, singer Bono listened to unvarnished, guitar-driven records by the bands who had inspired him in the first place — The Who, The Clash and Buzzcocks. When it came to recording, U2 turned to producer Chris Thomas, the man who had added fuel to the fire of punk’s most iconic album, Never Mind The Bollocks, Here’s The Sex Pistols. On paper, Thomas seemed like the perfect choice but, as you probably know, this is a band that “moves in mysterious ways”. It took Steve Lillywhite, producer of their first three albums, Boy, October and War, to apply necessary rocket boosters to send their studio efforts into orbit. Speaking via Zoom from the Irish capital, the genial Clayton gives me some first-hand insights into the complicated creation of How To Dismantle An Atomic Bomb. If Lillywhite gets most of the production credits, Thomas is also recognised, as are other U2 associates Brian Eno, Daniel Lanois and Jacknife Lee. The finished article contains what Clayton calls “four very strong songs — Vertigo, City Of Blinding Lights, Sometimes You Can’t Make It On Your Own and All Because Of You”. Twenty years on, we also have a worthy companion album, How To Re-Assemble An Atomic Bomb, ten discarded tracks from the sessions finally brought kicking and screaming into the light. It includes Luckiest Man In The World, originally known as Mercy but given new lyrics and melody by Bono, and regarded by Clayton as “a great song”. “I have a feeling that one will be in our live set,” he says. “It didn’t fit with what we were trying to do at the time, but I’m so glad it’s out there now.” We also have the thrilling punk blast of Country Mile and three other previously unheard songs, Happiness, Evidence Of Life and Treason. The newly remastered out-take Picture Of You (X+W) bears the telling lines: “I’m going nowhere, where I am, it is a lot of fun/There in the desert to dismantle an atomic bomb.” Clayton returns to the story of the sessions: “Chris Thomas cut his teeth engineering The Beatles, made the legendary Never Mind The Bollocks and did some wonderful records with Chrissie Hynde and The Pretenders. “By the time we got to know him, he’d also done a lot of good records with INXS, so he straddled different eras.” U2 had been friends with mercurial INXS singer Michael Hutchence right up until the Aussie’s untimely death in 1997. Bono and Hutchence were neighbours in the south of France , near Nice — that’s where Thomas came in. Clayton says: “We had known Chris for a while. We would bump into him during summers in France when various reprobates would gather.” During those balmy days under the Mediterranean sun, there were informal chats with Thomas “about the record we wanted to make”. It was these that led U2 to “setting off on a course with him”. But, and it’s a big BUT, things didn’t quite work out as planned, as Clayton explains. “In U2, we have a rather strange methodology, which is: Just when you think a track is finished, we go off and rewrite it! “Chris wasn’t used to this. Quite reasonably, he thought a record should take six weeks at most. “When we were heading into the third month, he found it very difficult to concentrate. “At that point, he said, ‘Look, I’m not sure I’m the right person. You Irish guys are a bit too crazy!’” There’s something about those searing guitar riffs. They’re eternal. The band turned to Steve Lillywhite, who Clayton recalls being “very helpful and very sensible”. “He listened to what we had, particularly the track we were putting most energy into — the one which became Vertigo.” First known as Native Son, the song served as a homage to Leonard Peltier, a Native American incarcerated for murder in 1975 and long the subject of miscarriage of justice campaigns. “For us, it was a complex lyrical matter,” says Clayton. “It wasn’t really working and Steve called it. "He said, ‘Do a better backing track and then we’ll play it to Bono’. He had been doing other work, but when he heard what we’d done he was very excited. “Bono said, ‘Give me a mic’. And the bones of Vertigo happened right there.” Suddenly, “everything clicked into place” and U2 had a storming, straight-ahead anthem to kick off their new album, exactly what they had been aiming for. Clayton says: “We’ve always loved the idea making rock and roll 45s and Vertigo fits into that, as does Beautiful Day. “They are the holy grail of tunes for us. They’re fun to play and audiences love them. “There’s something about those searing guitar riffs. They’re eternal.” If Vertigo is a three-minute adrenalin rush that Clayton describes as “invincible”, Sometimes You Can’t Make It On You Own is just as intense but in a very different way. Spanning nearly five minutes, the searing power ballad bears a towering Bono vocal and some of his most heartfelt lyrics. Originally with the working title Tough after the song’s first word, it is about the singer’s troubled relationship with his father Bob Hewson, who died of cancer in 2001. Clayton well remembers how the song resonated with the rest of the band. “Bono’s father had been very, very sick,” he says. “Probably with the exception of Edge, we’re a band of men who had difficult relationships with our fathers. “Sometimes You Can’t Make It On Your Own contemplates the loss of a very big figure in a very big figure’s life. It is poignant and powerful. “You don’t need to dig very deep before you realise what Bono was working with. “I’ve always responded to the universality of a lyric. But, because I know Bono and because we’ve been together for so long, I’m very aware of where he pulls his references from. “For me, Sometimes You Can’t Make It On Your Own was him being that small boy again, that 14-year-old looking at his father who was struggling with the loss of his wife.” Clayton is referring to the death of Bono’s mother, Iris, which had a devastating effect on the singer’s whole family. When Bono writes, he’s never looking for sympathy. She is remembered in several U2 songs, including I Will Follow and Iris (Hold Me Close). But Clayton adds: “When Bono writes, he’s never looking for sympathy. Rather like a method actor, he’s saying, ‘I need to examine this emotion and express it.’” The bassist suggests that no matter who you are, rock stars in their ivory towers included, life can be tough. He says: “The thing that’s dropping into my vision nowadays is realising that nobody escapes heartache, disappointment, vulnerability. We’re all built the same.” This brings us to another key song from How To Dismantle An Atomic Bomb, City Of Blinding Lights, which, says Clayton, had a difficult birth. “It was originally conceived on piano but we had to shift everything into guitar mode. It was hard to make it work.” Then he adds with due modesty: “Once we had, dare I say it, the bass part, which drives it, everything slotted into place.” City Of Blinding Lights, a U2 live staple, achieved wider recognition when it was used by Barack Obama during his presidential campaigns. Clayton questions whether a song being used in a political context “is a good badge of honour” but adds: “It must have connectivity — and that means something.” Bono’s lyrics reflect on lost innocence but, suggests his bandmate: “It is written to the audience and also to a city. The city of blinding lights is probably New York.” We move on to a wider discussion about the influences swirling around How To Dismantle An Atomic Bomb. Of its post-punk vibe, Clayton says: “As teenagers in 1976/77, there was a lot of anger in the air. That was our go-to position, where we came from, our music.” Clayton acknowledges that in the years leading up to How To Dismantle An Atomic Bomb, “We made our music more complicated — to take us away from the mainstream maybe. “A lot of Edge’s more lyrical guitar parts were coming from a place of otherness. “On this record, we were interested in pushing him to turn off the echo machine and play the power chord. “Sometimes, it’s hard to get him to do that,” he adds, before adding with a smirk, “because he doesn’t have that sort of anger in him!” Clayton sees the two albums, Dismantle and Re-Assemble, as something of a last hurrah for old-school recording techniques. “Compared with 20 years ago, music today is made in an entirely different way. It’s a different sound, not that of four men forging a future for themselves. “Back then, records were based on people in a room, playing instruments together. “Now that’s become uneconomical. Artists are in their bedrooms or home studios, creating music alone, and that is being streamed. “It’s a different sound, not that of four men forging a future for themselves.” Clayton says that when U2 started out in the late Seventies, “the best way for a band to succeed was desperation. To have no plan B. “You had no choice but to keep going forward because your life depended on it. “By the time you got a record deal and a bit of money, the next thing you had to do was play a whole load of tiny, s***ty little bars and clubs.” Before the ever-insightful Clayton and I go our separate ways, I ask him for an update on drummer Larry Mullen Jr. who missed U2’s groundbreaking shows at the state-of-the-art Sphere in Las Vegas because of “drumming-related” injuries. “He’s back on his stool,” replies Clayton. “Look, we are a little bit like athletes, but have a longer shelf life. “Larry’s body had taken a battering over the years and his primary issue was pain. “He’s finally feeling much better and is very enthusiastic about playing again.” And what of the future of U2? “I feel, I hope not mistakenly, that we still have a lot to give,” answers Clayton. “No matter where our lives have led us, the constant is mucking about in a studio, creating music together. “That is the greatest reward.” How To Dismantle An Atomic Bomb (20th anniversary editions with How To Re-Assemble An Atomic Bomb)

Believe it or not, Cowboys might have hope yet after chaotic win at Washington

Sarah Di Lorenzo shares how to cook for your family with different dietary requirements

DirecTV extends its agreement as title sponsor of the Holiday Bowl

New Jersey leader calls for limited state of emergency as drone mystery deepensFind the links between the words to win today's game of Connections. Looking for Saturday’s Connections hints and answers instead? You can find them here: Hiya, gang! I’ve been a little under the weather the last couple of days, so I’ve been trying to rest up... and play some video games, of course. Hope you’re having a more enjoyable weekend than I am! Today’s NYT Connections hints and answers for Sunday, November 24, are coming right up. How To Play Connections Connections is a free, popular New York Times daily word game. You get a new puzzle at midnight every day. You can play on the NYT website or Games app. You’re presented with a grid of 16 words. Your task is to arrange them into four groups of four by figuring out the links between them. The groups could be things like items you can click, names for research study participants or words preceded by a body part. This Viral Smart Bassinet Is 30% Off With The Snoo Black Friday Sale The 50 Best Black Friday Deals So Far, According To Our Deals Editors There’s only one solution for each puzzle, and you’ll need to be careful when it comes to words that might fit into more than one category. You can shuffle the words to perhaps help you see links between them. Each group is color coded. The yellow group is usually the easiest to figure out, blue and green fall in the middle, and the purple group is usually the most difficult one. The purple group often involves wordplay. Select four words you think go together and press Submit. If you make a guess and you’re incorrect, you’ll lose a life. If you’re close to having a correct group, you might see a message telling you that you’re one word away from getting it right, but you’ll still need to figure out which one to swap. If you make four mistakes, it’s game over. Let’s make sure that doesn’t happen with the help of some hints, and, if you’re really struggling, today’s Connections answers. As with Wordle and other similar games, it’s easy to share results with your friends on social media and group chats. If you have an NYT All Access or Games subscription, you can access the Connections archive . This includes every previous game of Connections , so you can go back and play any of those that you have missed. Aside from the first 60 games or so, you should be able to find my hints for each grid via Google if you need them! Just click here and add the date of the game for which you need clues or the answers to the search query. What Are Today’s Connections Hints? Scroll slowly! Just after the hints for each of today’s Connections groups, I’ll reveal what the groups are without immediately telling you which words go into them. Today’s 16 words are... And the hints for today’s Connections groups are: What Are Today’s Connections Groups? Need some extra help? Be warned: we’re starting to get into spoiler territory. Today’s Connections groups are... What Are Today’s Connections Answers? Spoiler alert! Don’t scroll any further down the page until you’re ready to find out today’s Connections answers. This is your final warning! Today’s Connections answers are... I barely survived to extend my streak to three wins. Here's how I fared: 🟦🟦🟦🟦 🟨🟨🟨🟩 🟨🟨🟨🟩 🟪🟨🟨🟩 🟨🟨🟨🟨 🟩🟩🟩🟩 🟪🟪🟪🟪 My immediate thought was that there might be a group of characters from The Addams Family . But I didn't see anything else to go with LURCH, WEDNESDAY and THING right away. It took me a little while to spot anything else that made sense (thanks, head cold!). But I finally drew a line between TRANCE and JUNGLE for the blues. Nothing else was adding up so, uh, I took a break to play a video game, hoping to come back with fresh eyes. Perhaps I care a little too much about my Connections streak. Maybe PITCH, HEAVE, PLACE and LURCH? They're all verbs. But no, I was one away. Dropping LURCH for REEL left me one away too, but switching to TRAY (I don't know why) was a step in the opposite direction. I finally got the yellows, though. I had one life left to get the greens and purples. Crunch time. At least the Addams Family notion was out of the equation with LURCH spoken for. Thankfully, it only took a few seconds to spot the greens on the smaller grid. There aren't a ton of things that go with WEDNESDAY, so the purple connection then became clear (I did struggle to find a good clue for it, though). One complaint, if I may. A noun is inherently a THING, so the green group doesn't completely work. Using a different word would have negated the Addams Family red herring, so I kind of get why it's here. Okay, time for a nap. That’s all there is to it for today’s Connections clues and answers. Be sure to check my blog for hints and the solution for Monday’s game if you need them. P.S. I did recommend a few songs from the wonderful Northern Irish rock band Ash (arguably a pop band with loud guitars) back when I was doing my "British bands I listened to a lot while growing up" thing back in the spring. Still, I feel obliged to do so again today. Turn up the volume a bit for these, let loose and shake it all out: If you’re so inclined, please do follow my blog for more coverage of Connections and other word games and even some video game news, insights and analysis. It helps me out a lot!

Northwestern Mutual Appoints Dave Gordon to Chief Digital and Information Officer

COPENHAGEN, Denmark, Dec. 12, 2024 (GLOBE NEWSWIRE) -- Ascendis Pharma A/S (Nasdaq: ASND) today announced that the U.S. Food & Drug Administration (FDA) has accepted for review its supplemental Biologics License Application (sBLA) in adult growth hormone deficiency (GHD) for TransCon hGH (lonapegsomatropin-tcgd; marketed as SKYTROFA® for pediatric GHD). The FDA set a Prescription Drug User Fee Act (PDUFA) goal date of July 27, 2025. “This marks another step towards achieving our objective to expand SKYTROFA’s label beyond pediatric GHD and expand its reach to address new groups of patients,” said Jan Mikkelsen, Ascendis Pharma’s President and Chief Executive Officer. “Adult GHD is an undertreated condition associated with significant comorbidities and higher annual healthcare costs compared to the 5-10% of patients who receive treatment, indicative of the high unmet need.” The sBLA submission is based on results from foresiGHt, a Phase 3 randomized, parallel-arm, placebo-controlled (double-blind) and active-controlled (open-label) trial that compared the efficacy and safety of weekly TransCon hGH with weekly placebo and daily human growth hormone (hGH) in adults with GHD. The trial evaluated 259 adults with GHD aged 23 to 80 years old, randomized 1:1:1, titrated to receive a target fixed dose of TransCon hGH, placebo, or daily hGH based on age and oral estrogen intake with approximately equivalent hGH mg/week for TransCon hGH and daily hGH. TransCon hGH demonstrated superiority on its primary efficacy and key secondary efficacy endpoints at Week 38, with TransCon hGH-treated participants showing a statistically significant reduction from baseline in trunk fat and increase in total body lean mass at Week 38 compared to placebo. In the trial, TransCon hGH was generally safe and well tolerated, with no discontinuations related to study drug and with comparable safety and tolerability to daily hGH treatment. About Adult Growth Hormone Deficiency Growth hormone plays an essential role in the health of children and adults, promoting normal growth in children and maintenance of normal body composition and cardiometabolic health throughout adulthood. In adults, growth hormone boosts protein production, promotes fat utilization, enhances muscle mass, and helps regulate blood sugar levels. Adult GHD is a condition in which an individual’s body does not produce enough growth hormone. Symptoms and morbidity can include central obesity, metabolic syndrome, decreased bone density, alterations in lipid profile and markers of cardiovascular risk, fatigue, general weakness, lack of muscle tone, and psychological symptoms such as cognitive impairment, social isolation, lack of motivation, and depression.1 About Ascendis Pharma A/S Ascendis Pharma is applying its innovative TransCon technology platform to build a leading, fully integrated biopharma company focused on making a meaningful difference in patients’ lives. Guided by its core values of Patients, Science, and Passion, Ascendis uses its TransCon technologies to create new and potentially best-in-class therapies. Ascendis is headquartered in Copenhagen, Denmark and has additional facilities in Europe and the United States. Please visit ascendispharma.com to learn more. Forward-Looking Statements This press release contains forward-looking statements that involve substantial risks and uncertainties. All statements, other than statements of historical facts, included in this press release regarding Ascendis’ future operations, plans and objectives of management are forward-looking statements. Examples of such statements include, but are not limited to, statements relating to (i) the PDUFA goal date for SKYTROFA, (ii) Ascendis’ objective to expand SKYTROFA’s label and reach to address new groups of patients, (iii) Ascendis’ ability to apply its TransCon technology platform to build a leading, fully integrated biopharma company, and (iv) Ascendis’ use of its TransCon technologies to create new and potentially best-in-class therapies. Ascendis may not actually achieve the plans, carry out the intentions or meet the expectations or projections disclosed in the forward-looking statements and you should not place undue reliance on these forward-looking statements. Actual results or events could differ materially from the plans, intentions, expectations, and projections disclosed in the forward-looking statements. Various important factors could cause actual results or events to differ materially from the forward-looking statements that Ascendis makes, including the following: dependence on third party manufacturers, distributors and service providers for Ascendis’ products and product candidates; unforeseen safety or efficacy results in Ascendis’ development programs or on-market products; unforeseen expenses related to commercialization of any approved Ascendis products; unforeseen expenses related to Ascendis’ development programs; unforeseen selling, general and administrative expenses, other research and development expenses and Ascendis’ business generally; delays in the development of its programs related to manufacturing, regulatory requirements, speed of patient recruitment or other unforeseen delays; Ascendis’ ability to obtain additional funding, if needed, to support its business activities; the impact of international economic, political, legal, compliance, social and business factors. For a further description of the risks and uncertainties that could cause actual results to differ from those expressed in these forward-looking statements, as well as risks relating to Ascendis’ business in general, see Ascendis’ prospectus supplement filed on September 20, 2024 and Ascendis’ current and future reports filed with, or submitted to, the U.S. Securities and Exchange Commission (SEC), including its Annual Report on Form 20-F filed with the SEC on February 7, 2024. Forward-looking statements do not reflect the potential impact of any future licensing, collaborations, acquisitions, mergers, dispositions, joint ventures, or investments that Ascendis may enter into or make. Ascendis does not assume any obligation to update any forward-looking statements, except as required by law. Ascendis, Ascendis Pharma, the Ascendis Pharma logo, the company logo, TransCon, and SKYTROFA ® , are trademarks owned by the Ascendis Pharma group. © December 2024 Ascendis Pharma A/S. 1.Hoffman AR, Mathison T, Andrews D, Murray K, Kelepouris N, Fleseriu M. Adult Growth Hormone Deficiency: Diagnostic and Treatment Journeys From the Patients' Perspective. J Endocr Soc. 2022;6(7):bvac077. Published 2022 May 12. doi:10.1210/jendso/bvac077WASHINGTON (AP) — As a former and potentially future president, Donald Trump hailed what would become as a road map for “exactly what our movement will do” with another crack at the White House. As for a hard-right turn in America became a liability during the 2024 campaign, . He denied knowing anything about the “ridiculous and abysmal” plans written in part by his first-term aides and allies. Now, after being elected the 47th president on Nov. 5, Trump is stocking his second administration with key players in the detailed effort he temporarily shunned. Most notably, Trump has tapped for an encore as director of the Office of Management and Budget; Tom Homan, his former immigration chief, as and immigration hardliner Stephen Miller as . Those moves have accelerated criticisms from Democrats who warn that Trump's election hands government reins to movement conservatives who spent years envisioning how to concentrate power in the West Wing and impose a starkly rightward shift across the U.S. government and society. Trump and his aides maintain that he won a mandate to overhaul Washington. But they maintain the specifics are his alone. “President Trump never had anything to do with Project 2025,” said Trump spokeswoman Karoline Leavitt in a statement. “All of President Trumps' Cabinet nominees and appointments are whole-heartedly committed to President Trump's agenda, not the agenda of outside groups.” Here is a look at what some of Trump's choices portend for his second presidency. The Office of Management and Budget director, a role Vought held under Trump previously and requires Senate confirmation, prepares a president's proposed budget and is generally responsible for implementing the administration's agenda across agencies. The job is influential but Vought made clear as author of a Project 2025 chapter on presidential authority that he wants the post to wield more direct power. “The Director must view his job as the best, most comprehensive approximation of the President’s mind,” Vought wrote. The OMB, he wrote, “is a President’s air-traffic control system” and should be “involved in all aspects of the White House policy process,” becoming “powerful enough to override implementing agencies’ bureaucracies.” Trump did not go into such details when naming Vought but implicitly endorsed aggressive action. Vought, the president-elect said, “knows exactly how to dismantle the Deep State” — Trump’s catch-all for federal bureaucracy — and would help “restore fiscal sanity.” In June, speaking on former Trump aide Steve Bannon’s “War Room” podcast, Vought relished the potential tension: “We’re not going to save our country without a little confrontation.” The strategy of further concentrating federal authority in the presidency permeates Project 2025's and Trump's campaign proposals. Vought's vision is especially striking when paired with Trump's proposals to dramatically expand the president's control over federal workers and government purse strings — ideas intertwined with the president-elect tapping mega-billionaire Elon Musk and venture capitalist Vivek Ramaswamy to Trump in his first term sought to remake the federal civil service by reclassifying tens of thousands of federal civil service workers — who have job protection through changes in administration — as political appointees, making them easier to fire and replace with loyalists. Currently, only about 4,000 of the federal government's roughly 2 million workers are political appointees. President Joe Biden rescinded Trump's changes. Trump can now reinstate them. Meanwhile, Musk's and Ramaswamy's sweeping “efficiency” mandates from Trump could turn on an old, defunct constitutional theory that the president — not Congress — is the real gatekeeper of federal spending. In his “Agenda 47,” Trump endorsed so-called “impoundment,” which holds that when lawmakers pass appropriations bills, they simply set a spending ceiling, but not a floor. The president, the theory holds, can simply decide not to spend money on anything he deems unnecessary. Vought did not venture into impoundment in his Project 2025 chapter. But, he wrote, “The President should use every possible tool to propose and impose fiscal discipline on the federal government. Anything short of that would constitute abject failure.” Trump's choice immediately sparked backlash. “Russ Vought is a far-right ideologue who has tried to break the law to give President Trump unilateral authority he does not possess to override the spending decisions of Congress (and) who has and will again fight to give Trump the ability to summarily fire tens of thousands of civil servants,” said Sen. Patty Murray of Washington, a Democrat and outgoing Senate Appropriations chairwoman. Reps. Jamie Raskin of Maryland and Melanie Stansbury of New Mexico, leading Democrats on the House Committee on Oversight and Accountability, said Vought wants to “dismantle the expert federal workforce” to the detriment of Americans who depend on everything from veterans' health care to Social Security benefits. “Pain itself is the agenda,” they said. Trump’s protests about Project 2025 always glossed over . Both want to reimpose Trump-era immigration limits. Project 2025 includes a litany of detailed proposals for various U.S. immigration statutes, executive branch rules and agreements with other countries — reducing the number of refugees, work visa recipients and asylum seekers, for example. Miller is one of Trump's longest-serving advisers and architect of his immigration ideas, including his promise of the largest deportation force in U.S. history. As deputy policy chief, which is not subject to Senate confirmation, Miller would remain in Trump's West Wing inner circle. “America is for Americans and Americans only,” Miller said at Trump’s on Oct. 27. “America First Legal,” Miller’s organization founded as an ideological counter to the American Civil Liberties Union, was listed as an advisory group to Project 2025 until Miller asked that the name be removed because of negative attention. Homan, a Project 2025 named contributor, was an acting U.S. Immigration and Customs Enforcement director during Trump’s first presidency, playing a key role in what became known as Trump's Previewing Trump 2.0 earlier this year, Homan said: “No one’s off the table. If you’re here illegally, you better be looking over your shoulder.” John Ratcliffe, Trump's , was previously one of Trump's directors of national intelligence. He is a Project 2025 contributor. The document's chapter on U.S. intelligence was written by Dustin Carmack, Ratcliffe's chief of staff in the first Trump administration. Reflecting Ratcliffe's and Trump's approach, Carmack declared the intelligence establishment too cautious. Ratcliffe, like the chapter attributed to Carmack, is hawkish toward China. Throughout the Project 2025 document, Beijing is framed as a U.S. adversary that cannot be trusted. Brendan Carr, the senior Republican on the Federal Communications Commission, wrote Project 2025's FCC chapter and is to chair the panel. Carr wrote that the FCC chairman “is empowered with significant authority that is not shared” with other FCC members. He called for the FCC to address “threats to individual liberty posed by corporations that are abusing dominant positions in the market,” specifically “Big Tech and its attempts to drive diverse political viewpoints from the digital town square.” He called for more stringent transparency rules for social media platforms like Facebook and YouTube and “empower consumers to choose their own content filters and fact checkers, if any.” Carr and Ratcliffe would require Senate confirmation for their posts.None

NBT Bancorp director Jack Webb sells $500,567 in stockLiwan, Design Studios and Labs, in partnership with Qatar Reads, will present the second edition of the Liwan Library Forum Tuesday, bringing together experts from Qatar and the region to discuss pressing global issues through literature, art, and personal narratives. The forum from 2pm-7pm will feature a range of speakers. In addition, a special exhibition on “Stories from Gaza” will open in conjunction with the forum tomorrow, at 4pm. “This event is an opportunity to amplify voices, explore pressing global issues, and deepen understanding through art and literature as powerful mediums,” said Liwan director Aisha bint Nasser al-Suwaidi. “Stories from Gaza” presents an intimate and in-depth exploration of Palestinian experiences through art and personal expression. It is divided into five poignant sections that capture the essence of identity, resilience and hope. “This exhibition gives voice to adults and children from Gaza currently living in Qatar and sheds light on what matters to them, their stories of resilience, and how they express themselves,” said exhibition curator Amal Ali. In the “Alphabets of Gaza and Qatar” section, visitors will discover unexpected connections between two different countries, exploring how language and culture intersect and build bridges of understanding. The second section, “What If?” explores the imaginary world of children, asking profound questions – such as “What if I went to Jerusalem?” – and revealing the power of imagination in the face of harsh reality. Another section, “More Than a Flag, More Than a Land”, explores how the Palestinian flag has transformed from a mere banner into one of the most powerful symbols of freedom, resistance, and justice. “Stories of Resilience” captures poignant moments of adults living in the Gaza compound, revealing their conditions, their suffering, and the remarkable resilience they have shown through unimaginable circumstances. The final section, “Belonging and Expression Amidst Displacement”, celebrates the new relationships and connections that adults and children forged after their difficult journeys to Qatar, highlighting the human capacity for resilience, adaptation, and hope. The forum will also explore three in-depth themes, featuring speakers who will delve into topics related to poetry, activism, refugee experiences, and the power of storytelling. Notable speakers include Mustafa Matar, Renad Qubbaj, Abdullah Mir, and Dr Hanan Hindi. “It is a great honour to collaborate with the Liwan Library Forum for its second edition,” said Fatima al-Malki, director of the Qatar Reads Initiative. “This year’s theme focuses on the role of literature and art as powerful tools in highlighting refugee narratives, emphasising the importance of paving the way for reading and learning to pave the way for a more enlightened future,” she said. “Literature acts as a bridge that integrates readers into the fictional reality of characters while establishing deep connections with the experiences of people around the world, whether in Palestine, Sudan, or elsewhere,” al-Malki added. “The symposium will also include an art exhibition that complements the literary discussions, in addition to interactive workshops carefully organised by both teams.” The first theme, *Community Activism in Poetry and Art, explores the profound role of creative expression in confronting social and political injustice. Matar, poet and news anchor from Al-Rafidain TV, will highlight how artistic media have become tools for protest and dialogue. The second theme, *Stories from Gaza: Reshaping the Narrative, offers a personal exploration of Palestinian experiences. Renad Qubbaj, the general director of the Tamer Institute for Community Education in Palestine, and Kawthar al-Qar’a, a writer and language editor, will share their insights into the resilience, creativity, and ever-positive spirit of Gazans. The final theme of the symposium, *The Refugee Experience: From Fiction to Reality, offers a global perspective on human displacement and migration. Journalist and climate activist Mir and Dr Hindi, an academic adviser at Northwestern University in Qatar, will discuss how refugee experiences have shifted from marginal narratives to urgent global realities. The exhibition “Stories from Gaza” focuses on these themes, allowing visitors to reflect on a moving collection of works that capture the painful experiences of adults and children from the Gaza complex, a statement added. Related Story QNL backs initiative to preserve Palestinian, Lebanese heritage QNL explores strategies to support language development among children