65 jili Film & Entertainment: Rising Actor Keopaseuth Sengsourichanh on Meeting Brie Larson and Ideal Film Role 12-13-2024 11:30 PM CET | Leisure, Entertainment, Miscellaneous Press release from: ABNewswire Image: https://www.abnewswire.com/uploads/004e3b97ba0c67c13645452fe27844bc.jpg Keopaseuth Sengsourichanh is a rising actor in the film industry, known for starring in projects like Midnight Massacre , Red Waters , and Cleanland . As a rising talent, his passion for acting and dedication shines through in every role he takes on. In a recent interview, we had the opportunity to ask Keopaseuth if he could star in a film with any actress, who would it be and why? Without a moment's hesitation, he mentioned an actress that he had met recently and that many fans of film would recognize: Brie Larson. "Absolutely yes," Keopaseuth exclaimed when posed with the question. "If I could star in a film with any actress, it would have to be with Brie Larson. There are so many lovely reasons for this!" Image: https://www.abnewswire.com/uploads/8e22be5d57657ab713845c01ac8c5416.jpg The Ideal Co-Star Keopaseuth expressed his admiration for Brie Larson not only as a talented actress but also for her character and professional demeanor. "She is easygoing with a great personality, who knows when to take life and business seriously. She understands how to enjoy making movies and being on set, whether in front of or behind the camera," he reflected. This ability to balance work with pleasure, he believes, is a significant asset in the world of filmmaking. What struck Keopaseuth the most was Larson's charm and relatability. "I personally feel that Brie Larson is a wonderful person-one I would be ecstatic to bring home to meet my parents for dinner on a lovely evening. Imagine traveling with her on vacation or collaborating on business projects! It would be an unforgettable experience." Image: https://www.abnewswire.com/uploads/558e34e4a4d751cb9fc601b2de1f3731.jpg A Recent Memorable Encounter Keopaseuth recounted his experience meeting Brie Larson at Fan Expo Colorado, describing her as "kind, easygoing, and pleasing to be around." "We hit it off, and it was truly a joy just to be in her presence," Keopaseuth shared. A Superhero Role As a comic book fan, Keopaseuth shared, "I'd absolutely love to play The Beyonder or Mxyzptlk-characters that are comic book wonders-if Kevin Feige is open to that storyline!" Image: https://www.abnewswire.com/uploads/92bf5c456e2ca82da3021f1c4a1c807a.png Latest Film Role: Actor Keopaseuth Sengsourichanh Co-Stars in StreetFigher Movie! Image: https://www.abnewswire.com/uploads/af4eac2c0e06b0b22f68c942a850e802.jpg Looking Ahead & Official Socials With continuous booked roles in the film industry and visions for future collaborations, Keopaseuth Sengsourichanh's journey in entertainment is just beginning. His genuine admiration for Brie Larson speaks volumes about his approach to acting and professionalism in the industry. Keep an eye on Keopaseuth and follow his official social sites to keep up with all the latest! https://www.instagram.com/keopaseuthsengsourichanh https://www.imdb.com/name/nm4817406/ Media Contact Company Name: Keopaseuth Sengsourichanh PR Contact Person: Keopaseuth Sengsourichanh Talent Email:Send Email [ https://www.abnewswire.com/email_contact_us.php?pr=film-entertainment-rising-actor-keopaseuth-sengsourichanh-on-meeting-brie-larson-and-ideal-film-role ] Country: United States Website: https://www.instagram.com/keopaseuthsengsourichanh This release was published on openPR.

The New Orleans Pelicans have no interest in trading Herb Jones, sources tell The Stein Line. Jones signed a four-year, $54 million deal with the Pelicans in restricted free agency during the 2023 offseason. Jones, who cannot become a free agent until 2027, is averaging 10.7 points, 3.4 rebounds, 2.0 assists and 1.9 steals in 31.3 minutes over seven games this season for the Pelicans. Jones is shooting just 29.2 percent on three-pointers this season after shooting 41.8 percent last season.

AgroLiquid to Acquire Montyʼs Plant Food Company, Expanding Innovation in Agricultural Crop NutritionA 7-year-old rivalry between tech leaders Elon Musk and Sam Altman over who should run OpenAI and prevent an artificial intelligence "dictatorship" is now heading to a federal judge as Musk seeks to halt the ChatGPT maker's ongoing shift into a for-profit company. Musk, an early OpenAI investor and board member, sued the artificial intelligence company earlier this year alleging it had betrayed its founding aims as a nonprofit research lab benefiting the public good rather than pursuing profits. Musk has since escalated the dispute, adding new claims and asking for a court order that would stop OpenAI’s plans to convert itself into a for-profit business more fully. The world's richest man, whose companies include Tesla, SpaceX and social media platform X, last year started his own rival AI company, xAI. Musk says it faces unfair competition from OpenAI and its close business partner Microsoft, which has supplied the huge computing resources needed to build AI systems such as ChatGPT. “OpenAI and Microsoft together exploiting Musk’s donations so they can build a for-profit monopoly, one now specifically targeting xAI, is just too much,” says Musk's filing that alleges the companies are violating the terms of Musk’s foundational contributions to the charity. OpenAI is filing a response Friday opposing Musk’s requested order, saying it would cripple OpenAI’s business and mission to the advantage of Musk and his own AI company. A hearing is set for January before U.S. District Judge Yvonne Gonzalez Rogers in Oakland. At the heart of the dispute is a 2017 internal power struggle at the fledgling startup that led to Altman becoming OpenAI's CEO. Musk also sought to be CEO and in an email outlined a plan where he would “unequivocally have initial control of the company” but said that would be temporary. He grew frustrated after two other OpenAI co-founders said he would hold too much power as a major shareholder and chief executive if the startup succeeded in its goal to achieve better-than-human AI known as artificial general intelligence , or AGI. Musk has long voiced concerns about how advanced forms of AI could threaten humanity. “The current structure provides you with a path where you end up with unilateral absolute control over the AGI," said a 2017 email to Musk from co-founders Ilya Sutskever and Greg Brockman. “You stated that you don't want to control the final AGI, but during this negotiation, you've shown to us that absolute control is extremely important to you.” In the same email, titled “Honest Thoughts,” Sutskever and Brockman also voiced concerns about Altman's desire to be CEO and whether he was motivated by “political goals.” Altman eventually succeeded in becoming CEO, and has remained so except for a period last year when he was fired and then reinstated days later after the board that ousted him was replaced. OpenAI published the messages Friday in a blog post meant to show its side of the story, particularly Musk's early support for the idea of making OpenAI a for-profit business so it could raise money for the hardware and computer power that AI needs. It was Musk, through his wealth manager Jared Birchall, who first registered “Open Artificial Technologies Technologies, Inc.”, a public benefit corporation, in September 2017. Then came the “Honest Thoughts” email that Musk described as the “final straw.” “Either go do something on your own or continue with OpenAI as a nonprofit,” Musk wrote back. OpenAI said Musk later proposed merging the startup into Tesla before resigning as the co-chair of OpenAI's board in early 2018. Musk didn't immediately respond to emailed requests for comment sent to his companies Friday. Asked about his frayed relationship with Musk at a New York Times conference last week, Altman said he felt “tremendously sad” but also characterized Musk’s legal fight as one about business competition. “He’s a competitor and we’re doing well,” Altman said. He also said at the conference that he is “not that worried” about the Tesla CEO’s influence with President-elect Donald Trump. OpenAI said Friday that Altman plans to make a $1 million personal donation to Trump’s inauguration fund, joining a number of tech companies and executives who are working to improve their relationships with the incoming administration. —————————— The Associated Press and OpenAI have a licensing and technology agreement allowing OpenAI access to part of the AP’s text archives.JEDDAH, Saudi Arabia (AP) — “My Driver and I” was supposed to be made in 2016, but was scuttled amid Saudi Arabia's decades-long cinema ban. Eight years later, the landscape for film in the kingdom looks much different — and the star of “My Driver and I” now has an award. Roula Dakheelallah was named the winner of the Chopard Emerging Saudi Talent award at the Red Sea International Film Festival on Thursday. The award — and the glitzy festival itself — is a sign of Saudi Arabia's commitment to shaping a new film industry. “My heart is attached to cinema and art; I have always dreamed of a moment like this,” Dakheelallah, who still works a 9-5 job, told The Associated Press before the awards ceremony. “I used to work in voluntary films and help my friends in the field, but this is my first big role in a film.” The reopening of cinemas in 2018 marked a cultural turning point for Saudi Arabia, an absolute monarchy that had instituted the ban 35 years before, under the influence of ultraconservative religious authorities. It has since invested heavily in a native film industry by building theaters and launching programs to support local filmmakers through grants and training. The Red Sea International Film Festival was launched just a year later, part of an attempt to expand Saudi influence into films, gaming, sports and other cultural fields. Activists have decried the investments as whitewashing the kingdom’s human rights record as it tightly controls speech and remains one of the world’s top executioners. With FIFA awarding the 2034 World Cup to Saudi Arabia this week, Lina al-Hathloul, a Saudi activist with the London-based rights group ALQST, said Crown Prince Mohammad bin Salman “has really managed to create this bubble where people only see entertainment and they don’t see the reality on the ground.” These efforts are part of Vision 2030, an ambitious reform plan unveiled in 2016 to ease the economy's dependence on oil. As part of it, Saudi Arabia plans to construct 350 cinemas with over 2,500 movie screens — by this past April, across 22 cities, it already had 66 cinemas showing movies from the local film industry, as well as Hollywood and Bollywood. (The Red Sea International Film Festival attracts a host of talent from the latter industries, with Viola Davis and Priyanka Chopra Jonas also picking up awards Thursday.) The country's General Entertainment Authority last month opened Al Hisn Studios on the outskirts of Riyadh. As one of the largest such production hubs in the Middle East, it not only includes several film studios but also a production village with workshops for carpentry, blacksmithing and fashion tailoring. “These facilities, when they exist, will stimulate filmmakers,” said Saudi actor Mohammed Elshehri. “Today, no writer or director has an excuse to imagine and say, ‘I cannot implement my imagination.’” The facilities are one part of the equation — the content itself is another. One of the major players in transforming Saudi filmmaking has been Telfaz11, a media company founded in 2011 that began as a YouTube channel and quickly became a trailblazer. Producing high-quality digital content such as short films, comedy sketches and series, Telfaz11 offered fresh perspectives on Saudi and regional issues. In 2020, Telfaz11 signed a partnership with Netflix to produce original content for the streaming giant. The result has been movies that demonstrate an evolution on the storytelling level, tackling topics that were once off-limits and sensitive to the public like secret nightlife in “Mandoob” (“Night Courier”) and changing social norms in “Naga.” “I think we tell our stories in a very simple way, and that’s what reaches the world,” Elshehri says of the changing shift. “When you tell your story in a natural way without any affectation, it will reach every person.” But the films were not without their critics, drawing mixed reaction. Social media discoursed ranged from pleasure that Saudi film were tackling such topics to anger over how the films reflected conservative society. As Hana Al-Omair, a Saudi writer and director, points out, there are still many stories left untold. “We certainly have a long time ahead of us before we can tell the Saudi narrative as it should be,” she said, acknowledging that there are still barriers and rampant censorship. “The Goat Life,” a Malayalam-language movie about an Indian man forced to work without pay in Saudi Arabia, is not available on Netflix's platform in the country. Movies that explore political topics or LGBTQ+ stories are essentially out of the question. Even “My Driver and I,” featured at the Red Sea festival alongside 11 other Saudi feature-length films, was initially too controversial. It centers on a Sudanese man in Jeddah, living away from his own daughter, who feels responsible for the girl he drives as her parents are absent. It was initially blocked from being made because of the relationship between the girl and the driver, filmmaker Ahd Kamel has said, even though it's not a romantic relationship. Now in 2024, the film is a success story — a symbol of the Saudi film industry's evolution as well as the growing role of women like Kamel behind the camera and Dakheelallah in front of it. “I see the change in Saudi cinema, a very beautiful change and it is moving at a wonderful speed. In my opinion, we do not need to rush,” Dakheelallah said. “We need to guide the truth of the artistic movement that is happening in Saudi Arabia.”Haiti gang attack leaves 2 dead, several wounded

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Preview: Besiktas vs. Goztepe SK - prediction, team news, lineupsBINGHAMTON, N.Y. (AP) — Chris Walker scored 22 points as Binghamton beat Lancaster Bible 85-60 on Sunday. Read this article for free: Already have an account? To continue reading, please subscribe: * BINGHAMTON, N.Y. (AP) — Chris Walker scored 22 points as Binghamton beat Lancaster Bible 85-60 on Sunday. Read unlimited articles for free today: Already have an account? BINGHAMTON, N.Y. (AP) — Chris Walker scored 22 points as Binghamton beat Lancaster Bible 85-60 on Sunday. Walker shot 7 for 8 (4 for 5 from 3-point range) and 4 of 6 from the free-throw line for the Bearcats (6-6). Ben Callahan-Gold added 13 points while going 5 of 9 (3 for 6 from 3-point range) while he also had five rebounds. Tymu Chenery shot 5 of 11 from the field, including 1 for 7 from 3-point range, and went 1 for 4 from the line to finish with 12 points. The Chargers were led in scoring by Reaves Hooks, who finished with 15 points. Jordan Praylow added 10 points and three steals for Lancaster Bible. Camden Hurst also recorded nine points. Binghamton hosts Mercyhurst in its next matchup on Wednesday. ___ The Associated Press created this story using technology provided by Data Skrive and data from Sportradar. Advertisement